‘Who kills who?’ ‘Rot in hell,’ he snarled, panting, and managed to push himself forward and leap off the dais, running for the safety of the far aisle by the wall. Away up on the hillside was the little country railway station. The customary gold band was missing; but a soft gold Chinese ring Spurlock had picked up in Singapore—the characters representing good luck and prosperity—was slipped over Ruth's third finger. The soi-disant Valade held the centre of the room now, only an uncovered but closed card-table, its surface dusty, between him and the suite at the fireplace. The ripple of the water against the boat, as its keel cleaves through the stream—the darkling current hurrying by—the indistinctly-seen craft, of all forms and all sizes, hovering around, and making their way in ghostlike silence, or warning each other of their approach by cries, that, heard from afar, have something doleful in their note—the solemn shadows cast by the bridges—the deeper gloom of the echoing arches—the lights glimmering from the banks—the red reflection thrown upon the waves by a fire kindled on some stationary barge—the tall and fantastic shapes of the houses, as discerned through the obscurity;—these, and other sights and sounds of the same character, give a sombre colour to the thoughts of one who may choose to indulge in meditation at such a time and in such a place.
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