‘She ought to be. ’ A sudden frown sprang to the fellow’s face. Something about the girl had suggested an idea. She jumped up at once, caught up a leather clutch containing notebooks, a fat textbook, and a chocolate-and-yellow-covered pamphlet, and leaped neatly from the carriage, only to discover that the train was slowing down and that she had to traverse the full length of the platform past it again as the result of her precipitation. “Perhaps,” she said, “it is the London climate. She had decided that she would spend the next morning answering advertisements in the papers that abounded in the writing-room; and so, after half an hour’s perusal of back numbers of the Sketch in the drawingroom, she had gone to bed. The first of these, the Press Room, a dark close chamber, near Waterman's Hall, obtained its name from an immense wooden machine kept in it, with which such prisoners as refused to plead to their indictments were pressed to death—a species of inquisitorial torture not discontinued until so lately as the early part of the reign of George the Third, when it was abolished by an express statute. You have to see her to understand.
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