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9. ‘Gad, what a mess!’ Gerald pulled free, and Melusine broke back, staring at him. She had called the police on them anonymously. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. “When one wants a thing more than anything else in the world,” she said with outrageous frankness, “one naturally wishes one had it.

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