Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. ‘Gérard, you are a great fool. But he is kind of cute. You have a daughter, no? Madame Ibstock, I think. I speak frankly, because you also know that no possible extremity would induce me to accept help from any living person. She had just passed into a little antechamber beyond when she suddenly heard a faint knocking. She passed people in the streets and regarded them with a quickening apprehension, once or twice came girls dressed in slatternly finery, going toward Regent Street from out these places. ‘Do you tell me that my disreputable son had the infernal insolence to pass you off as that whoring Frenchwoman’s daughter?’ His answer was in their faces. What was she going to do? One main idea possessed her: she must get away from home, she must assert herself at once or perish. His tone was kind and sympathetic.
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